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About Sylvia Longmire

a storyteller for disabled voices

director | producer | narrator
Sylvia Longmire is a documentary filmmaker, accessible travel writer, and disability rights advocate based in Central Florida. A service-disabled US Air Force veteran, she was diagnosed with multiple sclerosis in 2005 and became a full-time wheelchair user in 2014. She hasn’t taken a step since 2016 — yet she still walks, runs, and dances every night in her dreams. That contradiction is what led her to create Walking Dreams, her debut feature-length documentary investigating why the overwhelming majority of wheelchair users share this same experience.

Sylvia directs, produces, and narrates Walking Dreams, bringing both an investigator’s instincts (she’s a former Air Force Office of Special Investigations agent) and a lifetime of firsthand experience to the project. Her first short documentary The View From Down Here, shot entirely from a wheelchair user’s perspective, is currently in festival submission. Her second short documentary, Given the Chance, is in post production.

Outside of filmmaking, Sylvia is the founder of the accessible travel blog Spin the Globe, where she’s documented her solo travels through 59 countries — 49 of them in a wheelchair. Her writing has appeared in The New York Times, Lonely Planet, The Orlando Sentinel, and New Mobility magazine, and she’s the author of four accessible travel books. A former Ms. Wheelchair USA, she is also the Orlando Museum of Art’s first wheelchair-using docent and a proud single mom to two teenage boys.

Given the chance

A film by Sylvia Longmire
Chance 2 Dance in Maitland, Florida was built on a radical idea – that every body deserves to move. Given the Chance goes inside the studio to meet the students, instructors, and families who are proving that Dance doesn’t just bring joy. It has the power to transform. Currently in post production.

the view from down here

A film by Sylvia Longmire
The View From Down Here starts with a simple question: what does the world actually look like from a wheelchair user’s perspective? The film moves through six everyday spaces that have likely gone unnoticed by most people. No interviews, no faces. Both barriers and opportunities to experience beauty blend together in this soothing point of view narrative. Currently being submitted to film festivals.